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VFX studio confronts lack of UK overtime regulation with time-and-a-half policy
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VFX Recruitment in a Post-COVID World
DNEG Animation bolsters senior team with appointment of DreamWorks alum Kara Oropallo
Animated Women UK announces virtual art exhibition, LIMITLESS
DNEG Announces Paid Overtime in London in Transformative Move for UK VFX and Animation Artists
Meet the Producer: Nathan Santell
Foundry celebrates 25 Years at Foundry Live in September
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Interview: Industrial Light & Magic, Singapore
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VFX Recruitment in a Post-COVID World
Miami digitally submerged in VFX-driven feature film Reminiscence
Picture Shop takes its remote capabilities to the next level
1.5x overtime at Outpost VFX: why are they doing this in the UK?
Remote working drives innovation at VFX facilities
Moxion and Sohonet Camera to Cloud accelerates and harmonizes workflow
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Meet the Artist: Jesper Kjolsrud, VFX Supervisor, Cinesite
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Meet the Producer: Nathan Santell
Meet the Supervisor: Nicholas Birmingham
Meet the Supervisor: Stephan Fleet
MEET THE SUPERVISOR: JUSTIN MITCHELL
Meet the Artist: Sunguk Chun, Layout Artist at Pixar
Meet the Artist: Harin Hirani, Head of 3D at Freefolk
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Into the Woods VFX Breakdown
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VFX Legion Creates Effects For ‘Don’t Breathe 2’
Environments Showreel 2021: Bluebolt VFX
Showreel 2021: Milk VFX
Scanline VFX | The Nevers | VFX Breakdown
Showreel 2021: Vine FX
Crowning Achievements in Visual Effects
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Miami digitally submerged in VFX-driven feature film Reminiscence
Meet the Producer: Nathan Santell
Meet the Supervisor: Nicholas Birmingham
VFX Legion Creates Effects For ‘Don’t Breathe 2’
Environments Showreel 2021: Bluebolt VFX
Five Minutes with MPC VFX Supervisor Elliot Newman
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