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Vine FX Provide Lavish VFX for ITV’s Beecham House
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Meet Luke Kaile and Chris Lunney, the new vanguard at NVIZ
Moonraker VFX launch their first Fulldome film for planetarium audiences
MPC receives multiple nominations at VES and Annie Awards
BlueBolt delivers VFX for period drama My Policeman
Rachael Penfold appointed CEO of One of Us
Milk opens VFX studio in France
Industry Insight
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Moxion and Sohonet Camera to Cloud accelerates and harmonizes workflow
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Meet the Artist: Jonathan Skifs
VFX supervisor Dan Lemmon on the making of The Batman
Women of VFX: Beck Selmes, VFX supervisor at Jellyfish Pictures
How the VFX industry is evolving to include more women
Oscar, BAFTA and VES nominee Paul Lambert on the VFX of Dune
Meet the supervisor: Henry Badgett
Talent
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Meet the Supervisor: Nicholas Birmingham
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Meet the Artist: Jonathan Skifs
Meet the artist: Chelsea Chan
VFX supervisor Dan Lemmon on the making of The Batman
Meet the Artist: Benjamin Brenneur
Meet the Producer: Michelle Rose
Meet the Supervisor: Vinay Chuphal
Reels & Breakdowns
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Worldwide FX: Survivor Breakdown
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How BlueBolt created stunning VFX for The Peripheral
Untold Studios creates motorbike-riding cow
Freefolk’s Magical VFX for Fate: The Winx Saga
Check out the Image Engine VFX breakdown reel for Obi-Wan Kenobi
How DNEG used LED walls for window views on Bullet Train
Union VFX delivers dramatic VFX for Marvel Studio’s Moon Knight
Studios & Jobs
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How BlueBolt created stunning VFX for The Peripheral
Meet the Artist: Jonathan Skifs
Untold Studios creates motorbike-riding cow
Meet the artist: Chelsea Chan
VFX supervisor Dan Lemmon on the making of The Batman
Freefolk’s Magical VFX for Fate: The Winx Saga
Miopia VFX Breakdown
