Talent

Lewis Telfer on his career in facial animation and his role in creating Rachael in Blade Runner 2049 What is your job title, and what does this role entail? I’m the Facial Capture Supervisor at DI4D. M...

One of Us 2D Supervisor Kazia Roach on finding your passion and being the best artist you can be What’s the best thing about working at One of Us? My favourite thing is that it’s very much an artist-...

Freefolk VFX Supervisor David Bowman on inspiring new tech, what it takes to do his job, and working with his heroes Tell us about the company you work for. Freefolk is an ever-expanding company with cor...

Danny Duke on what it's like to head up a team of top VFX talent at Absolute Post What is your job title? Production Director - Film and TV at Absolute Post. How would you describe the values and cult...

BAFTA award-winning VFX studio Lola Post Production has strengthened its senior leadership team with the appointment of Annie Gordon as Executive Producer and Lizzie Hill as Senior Producer.  Annie will ov...

Key hire signals significant creative development within the VFX studio Black Kite Studios are delighted to announce that renowned and respected industry talent Alex Lovejoy, has joined the company as Creat...

Jonathan Skifs on choosing a specialism, work-life balance, and the importance of embracing notes What is your job title, and what does this role entail? I am a Senior Animator at Goodbye Kansas, so I ba...

Chelsea Chan on breaking into the VFX and animation industry What have you been working on recently? I’m currently working on the Skull Island series by Legendary Pictures and Powerhouse Animation stud...

Dan Lemmon tells us about working with director Matt Reeves, using LED walls to create the Gotham cityscape, and finding the perfect marriage of practical and digital effects Dan Lemmon is an industry veter...

Benjamin Brenneur, Head of Motion Edit at Goodbye Kansas Studios, on teamwork, following your heart, and forging a new path for visual effects What is your job title, and what does this role entail? I am...

Michelle Rose is a VFX Producer currently working on Alex Garland’s new film, Civil War, after being on three seasons of the Starz series, Outlander. How did you get into VFX? After finishing my degree...

Vinay Chuphal, VFX supervisor at FutureWorks, tells us about his career in visual effects that began back in 1996 Vinay Chuphal joined FutureWorks in 2010 and has led the team on a multitude of projects ran...

Jellyfish Senior Editor Beverly Maguire on her love of animation and editing, her advice for those getting started, and the women editors who partnered with Tarantino and Scorsese What is your job title, an...

Outpost VFX Supervisor Jesper Kjolsrud on 25 years in the industry, being jack of all trades, working from home, and using coffee as a coping strategy How would you describe the values and culture at your c...