Talent

MJ Cunha shares her story of starting out as a runner at Milk VFX before being promoted to junior roto artist How long have you worked at Milk VFX? I started in October 2019, so it’s been two years. Iâ...

Cinesite’s recently appointed Feature Animation Head of Production Nathan Santell talks about what it takes to succeed in VFX, and the people and projects that have inspired his work What inspired you to ...

BlueBolt’s Head of 3D Nicholas Birmingham talks about working on The Irregulars and The Last Kingdom, and the democratisation of VFX What is the culture like at BlueBolt? There’s a lot of baking. Thi...

VFX Supervisor Stephan Fleet tells us about his VFX journey and how he became involved with Amazon Prime Video tv-series THE BOYS. Can you tell us a little about your VFX journey - where you started and how...

Emmy-nominated VFX Supervisor Justin Mitchell tells us about his role at Scanline VFX and his recent work on HBO’s The Nevers Describe the company you work for; what are their values, and what is the cult...

Layout Artist Sunguk Chun tells us how he got his dream job at Pixar and what it’s like to work on Luca, Lightyear and The Tomorrow War What does your role entail? I am a layout artist at Pixar; my rol...

Describe the company you work for Cinesite is an independent studio offering services in visual effects for film, streamers and television, in recent years the company has expanded to include feature anima...

Diving deep into the world of Visual Effects, PR Consultant and Writer Alex Coxon will be chatting to a VFX artist each month about how they broke into the industry and what makes them tick.  We're kickin...