Talent

Beck Selmes on her thriving career in VFX, and how communication is the most important skill for a VFX supervisor Starting on International Women’s Day, we began a series of articles looking at the gender...

Effects Supervisor Risto Puukko on how he got into VFX, his advice for those new to the industry and what’s been inspiring him recently What is your job title, and what does this role entail? I’m an ...

Beck Veitch on finding a career that matches your aptitudes, and how to break into the VFX world Starting on International Women’s Day, we began a series of articles looking at the gender imbalance in the...

Jessica Teach on the importance of core skills, why it's great to work at ILM, and her advice for women interested in VFX Starting on International Women's Day, we began a series of articles looking at the ...

Alannah Belanger, Head of Production at MPC, on her career in VFX Tell us about the values and culture at MPC. MPC is one of the largest VFX companies in the world, but to me I have always had a sense of...

VFX Supervisor Oliver Winwood on how he got into visual effects and his career at MPC Tell us about working at MPC; what are their values, and what is the culture like? I’ve been at MPC for over 17 yea...

VFX Supervisor Grant Hewlett of Axis Studios on his career in visual effects What is it like to work at Axis Studios? What are their values, and what is the culture like? At Axis Studios empowerment is k...

BlueBolt VFX supervisor Henry Badgett gives us an insight into his working life, and his advice for those at the start of their careers What’s the best thing about working at BlueBolt? The people - som...

Guy Hancock gives us an insight into his career path and job role as MGFX Supervisor at DNEG How would you describe the values and culture at DNEG? DNEG is an incredibly diverse company and attracts a hu...

Maude Melancon on starting her career as a runner at Cinesite in Montreal during the pandemic How long have you worked at Cinesite? I started in February of 2021, so it has been around 9 months. What ...

MJ Cunha shares her story of starting out as a runner at Milk VFX before being promoted to junior roto artist How long have you worked at Milk VFX? I started in October 2019, so it’s been two years. I�...

Gin Godden shares her story of starting out as a model for Jean Paul Gaultier and transitioning into VFX Production What have you been working on recently? The wonderfully bonkers TV series Britannia –...

Cinesite’s recently appointed Feature Animation Head of Production Nathan Santell talks about what it takes to succeed in VFX, and the people and projects that have inspired his work What inspired you to ...

BlueBolt’s Head of 3D Nicholas Birmingham talks about working on The Irregulars and The Last Kingdom, and the democratisation of VFX What is the culture like at BlueBolt? There’s a lot of baking. Thi...