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ONE OF US CREATE ENCHANTING VFX FOR PINOCCHIO
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That’s three for CG at Absolute
Nuke 13.1 released to streamline artists workflows
Mari 5 released with fundamental USD and feature upgrades to reduce pipeline friction
Milk appoints Michelle Martin as Chief Business Development Officer
Industrial Light & Magic to expand StageCraft LED virtual production offering with new facility in Vancouver
Absolute warp time for Lidl’s forward-thinking Christmas corker
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The Dark Listicle: 7 Interesting Facts about the Effects of The Dark Crystal
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Harry Potter — 20 Years of Wizarding Wonder
VFX Recruitment in a Post-COVID World
Miami digitally submerged in VFX-driven feature film Reminiscence
Picture Shop takes its remote capabilities to the next level
1.5x overtime at Outpost VFX: why are they doing this in the UK?
Remote working drives innovation at VFX facilities
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Meet the Supervisor: Stephan Fleet
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Meet the Runner: MJ Cunha
Meet the Producer: Nathan Santell
Meet the Supervisor: Nicholas Birmingham
MEET THE SUPERVISOR: JUSTIN MITCHELL
Meet the Artist: Sunguk Chun, Layout Artist at Pixar
Meet the Artist: Jesper Kjolsrud, VFX Supervisor, Cinesite
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Rodeo FX: VFX Breakdown Bumblebee
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VFX Legion Creates Effects For ‘Don’t Breathe 2’
Environments Showreel 2021: Bluebolt VFX
Showreel 2021: Milk VFX
Scanline VFX | The Nevers | VFX Breakdown
Showreel 2021: Vine FX
Crowning Achievements in Visual Effects
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How DNEG created a brand-new animation pipeline for Ron's Gone Wrong
Meet the Runner: Maude Melancon
How Industrial Light & Magic created a CG monkey for Y: The Last Man
Meet the Runner: MJ Cunha
Meet the Producer: Gin Godden
Miami digitally submerged in VFX-driven feature film Reminiscence
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