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VES nominee Tom Proctor on the VFX of Last Night in Soho
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Mark Pinheiro joins Absolute as VFX Supervisor
Framestore announces new CEO
UNIT Studios welcomes award-winning post production team
BlueBolt delivers epic VFX on The Northman
Freefolk welcomes CG Lead Maria Carriedo
Freefolk welcomes Senior Colourist Marty McMullan
Industry Insight
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Moxion and Sohonet Camera to Cloud accelerates and harmonizes workflow
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How the VFX industry is evolving to include more women
Oscar, BAFTA and VES nominee Paul Lambert on the VFX of Dune
Meet the supervisor: Henry Badgett
Harry Potter — 20 Years of Wizarding Wonder
VFX Recruitment in a Post-COVID World
Miami digitally submerged in VFX-driven feature film Reminiscence
Talent
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Meet the Producer: Gin Godden
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Women of VFX: Beck Veitch, compositing supervisor at Wētā FX
Women of VFX: Jessica Teach, VP, Operations at Industrial Light & Magic
Meet the producer: Alannah Belanger
Meet the Supervisor: Oliver Winwood
Meet the Supervisor: Grant Hewlett
Meet the supervisor: Henry Badgett
Reels & Breakdowns
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Love, Death & Robots, Lucky 13, Animation Breakdown
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Goodbye Kansas Studios deliver VFX for IMDb TV’s Alex Rider S2
Union Create Dramatic VFX for WWII Thriller Operation Mincemeat
BlueBolt’s VFX bring the drama to second season of Cobra
VFX Legion Creates Effects For ‘Don’t Breathe 2’
Environments Showreel 2021: Bluebolt VFX
Showreel 2021: Milk VFX
Studios & Jobs
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Goodbye Kansas Studios deliver VFX for IMDb TV’s Alex Rider S2
How Wētā FX created spectacular VFX for The Batman chase scene
Union Create Dramatic VFX for WWII Thriller Operation Mincemeat
Women of VFX: Beck Veitch, compositing supervisor at Wētā FX
Women of VFX: Jessica Teach, VP, Operations at Industrial Light & Magic
Oscar, BAFTA and VES nominee Paul Lambert on the VFX of Dune
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