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How Industrial Light & Magic created a CG monkey for Y: The Last Man
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Check out this previz work from NVIZ on Shadow and Bone
Union opens first international VFX facility in Montréal
Milk to open VFX studio in Ireland
FMX announces program for 2023
Matilda the Musical – Virtual Cinematography from NVIZ in the Acrobat’s Story
VFX facilities snap up Escapees at The VFX Festival
Industry Insight
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Interview: BlueBolt VFX, London
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How women are changing the VFX industry
Meet Viridian FX
Meet the Producer: Danny Duke
Meet the Artist: Jonathan Skifs
VFX supervisor Dan Lemmon on the making of The Batman
Women of VFX: Beck Selmes, VFX supervisor at Jellyfish Pictures
Talent
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Meet the Artist: Benjamin Brenneur
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Meet the Producer: Danny Duke
Lola strengthens senior leadership team with two new appointments
Alex Lovejoy joins Black Kite
Meet the Artist: Jonathan Skifs
Meet the artist: Chelsea Chan
VFX supervisor Dan Lemmon on the making of The Batman
Reels & Breakdowns
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MPC Film Reel 2015
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Check out this previz work from NVIZ on Shadow and Bone
Union’s Fantastical VFX for Amazon’s Wheel of Time
How MARZ created spooky VFX for Addams family spin-off, Wednesday
Breakdown: how PFX created visual effects for Netflix film Medieval
How BlueBolt created stunning VFX for The Peripheral
Untold Studios creates motorbike-riding cow
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Check out this previz work from NVIZ on Shadow and Bone
VFX facilities snap up Escapees at The VFX Festival
Union’s Fantastical VFX for Amazon’s Wheel of Time
How MARZ created spooky VFX for Addams family spin-off, Wednesday
Meet Viridian FX
Breakdown: how PFX created visual effects for Netflix film Medieval
The Circle
